Wednesday, 9 January 2013

Evaluation – Moving Image Production: Narrative DRAMA



For this module, we were asked to create two short films, one being a two-minute character observation and the other expanding on the emotions displayed within this work and creatively taking it further into a new longer narrative, which was the second part of the assessment – a 10-minute short film.  In this evaluation, I will reflect on the work given and completed within this module, how it was planned and how the work changed, the process of creating both works, what I’ve learnt and how my individual contribution was important to create the final films.

The two-minute drama was created on a man who goes for a job interview, filled with hope and happiness as he’s sure he’s got it, to drop instantly into rage and sadness when the agency rejects to take his application further. We wanted to create a theme for the interview, and decided that the character would be an architect; this is because of all the picturesque places we found on location scouting, we thought they would work nicely into the theme by using them as locations as well as cutaways. I do feel that we played this project safe, it was creative, but we could have done a lot more to make it unique and stand out – with lack of time management and problems with actors, this was a successful work. I feel we achieved what we aimed to do, but expanded on the idea by adding the architect theme and other links to bring the piece together, so I feel as a group, we progressed well with this project.

For this project, we held many group meetings to come up with the idea behind the film, talk about scripts, storyboards and shot lists. We also had an online group where we could talk at anytime about the project.  We first created a complete script, and when everyone, including our tutor, approved it, we decided to location scout. This is because we wanted to ensure we picked the best places possible for our piece to look good and also represent the ‘architecture’. After choosing locations we wanted to film, our producer and director contacted our actor and voice actors. This was troublesome at times as we had people drop out, however we managed to fix the problems we had in time for the post-production. Then came the shoot, we shot the footage over two days and had about 2 hours worth of footage, which was a good amount for me to work with in the edit. After production, the sound designer and I concentrated on bringing the piece together. An important lesson I learnt from this was time management. I feel that as a group, there were times when people couldn’t be ‘bothered’ to meet up or in other cases had other works they had to complete. I feel we worked together well in regard to meetings and organization (documentation needed for shoot), however we could have managed our time skills much better.

I do feel that this wasn’t one of my strongest modules. I feel that as a group we could have worked harder and more creatively, however with other works and members of the team being unavailable to times, it caused problems. I feel that the work were produced was successful, however could be greatly improved if we, as a group, had spent more time and worked together. I feel that the group, which shows in the final product, didn’t approach the module in a very creative way.

This project has taught me, however, a range of skills in both group work and my individual contribution. For this project, I chose the role of editor, so it was my responsibility after the production stage, to edit the footage into the final two-minute piece (with sound editing help from the sound designer Alex). I feel I took on this responsibility well. Unfortunately, I didn’t get a lot of time to edit the footage, due to the overrun of the production process, however I feel I worked through this successfully and managed to edit the footage in time, by working on it every day I could until deadline. I feel my contribution was quite important because I did spend a lot of time alone bringing the piece together. I managed to get reviews from the producer and director occasionally, but due to a busy timetable, I was left to creatively work with the footage on my own, which had it’s advantages and disadvantages – for example, I was able to look through the footage with fresh eyes and creative pick out a narrative route the project could take, but I also would have liked more input into the edit, as the film is technically the director’s vision. However, I feel I managed my role successfully and was able to manage any problems I came across.

This project taught me a number of things in regard to the edit. I was able to expand some skills on Soundtrack Pro, as I’d rarely used the program during my first year, and created a telephone sound effect, which is useful to know for other productions, as this effect is quite popular. I also learned about setting up a Final Cut Pro project when it comes to DSLR footage, as the frame rates are different. Also, with the help of my editing module, I was able to be more precise with my editing, using more advanced tools and effects to trim and colour correct.  Also, the project taught me a lot about working with others. Usually in projects I like to know and have control on each section, almost like the director role, however in this project I was only in control of the edit, which was a different experience, and allowed me to work off others’ ideas and production. It allowed me to work on motifs given to me by a director, rather than me setting them myself but also allowed me to be independent with my contribution.

Overall, this project was, in my opinion, successful. We worked well as a team and ensured all problems were solved and the final product reflects that.

The 10-minute project was to expand on the emotions of the first project. We decided to focus on the rage and upsetting emotions from the first piece, and created a drama about a boy who cheats on his girlfriend and tries to fight for her back.

The finished film isn’t what we intended. During the pre-production process, we had a script with many more connecting scenes and information, however the production team ran out of time/left scenes out as they thought we didn’t need them. However, this made the end product look slightly fragmented, which works in it’s own unique way, but wasn’t the purpose we were originally going for.  We intended to create a flowing story of a couple, which eventually showed why they were having trouble, how they argued and how they got back together. However it was rather jerky. We found out straightaway he’d cheated, an idea of a ‘limbo’ character was included but not to it’s full intent, so therefore looked out of place and there were lots of blackouts.  Unfortunately this wasn’t what we intended and we managed to problem solve, but we weren’t completely happy with the outcome.  I feel that if we’d worked together as a group, prepared and organized as well as we did with the previous project, we would have had a better outcome – however we didn’t manage our time and projects very well, and therefore didn’t achieve this, however this allowed us to learn how important organization and time management is when it comes to producing a film. Everything needs to have enough time – each process, as the sound designer and I only had 5 days to edit, when we were supposed to have a week each. This was due to actors dropping out last minute and losing locations. Of course, an advantage of this project was our problem solving. We worked together to ensure we had actors, locations and edits completed, so we did work well together, just didn’t manage the project very well as a group.

In regard to making the film, we started by creating a script, and going through it to create a final revised script. This gave us all a chance to look through and change anything we didn’t think would work, or change it to what we thought would work better. The script writing was very successful and the film looked like it was going to be creative and unique. We then went location scouting and looking for actors. Unfortunately we ran into problems here. In regard to actors, we found each one and planned the shoots accordingly. However two of the actors dropped out the night before the shoot was planned to run, and therefore we ran into time restraints, which caused stress on the group.  Luckily we managed to find some student actors to fill the part, however in future, we should ensure to contract people to the shoot and also have back up actors booked incase this situation occurred again. In regard to location, we used a house in our first shoot, however the residence of the house we’re still there and kept making noises throughout the shoot, making the entire scene almost unusable, therefore the producer had to once again location scout for another property we could use – so another idea in future would to have backup locations in case the first choice doesn’t work out.  Luckily we managed to problem some both of these issues and complete the shoot. After the shoots were completed we brought the footage to the edit, where Alex and myself worked together to bring the piece together, with the help of Jessica (the producer). There were problems we ran into during the edit. At this point I didn’t know scenes had been cut from the piece, and I only had script to work with, as the production team hadn’t completed a shot list or storyboard for me to use, which made it a lot harder however more interesting for me to tackle.  The edit itself does appear jarred due to the missing scenes however and I feel that better communications and document organization would have made this process run more smoothly, and also help me understand the story and the film the director had in mind.

My individual contribution to the work was once again the edit. I didn’t have much input into the production process, however helped out whenever I was required to, for example I created a new script to try fix some problems during pre-production, however the changes were made to the original script and worked better for the piece as a whole.  I feel for this project, we could have worked better and more efficiently as a team, however we managed to problem solve and work together in a way that brought the piece together – there wasn’t any arguments or problems between the group members.

This project allowed me to expand my skills on group work and technical skills on Final Cut Pro. Such as the colour correction, the trimming and also effects and transitions of sound to make the piece flow. I feel this module has broadened my knowledge on how to edit for drama, in regard to ‘emotion is the most important aspect’ as stated by Walter Murch and other editing techniques.

Overall, I feel our project went well and we all worked well as a group. In future, I would like to work more in depth with production however we were able to gain new skills socially (production-wise) and in editing (technical) therefore this has been a great experience, which will help me greatly with future projects. I also learnt the importance of time management and organization within this type of project, and know that this could have been improved throughout the duration of this module.

Word Count: 2000

Reference:
Murch, W., In The Blink Of An Eye, 2nd Edition (2001) 
Silman-James Press, U.S


Tuesday, 8 January 2013

Second Chance - Colour Correction


On the fine cut, there were quite a few colour changes throughout the piece. The emotions of the piece are quite dark and upsetting, so we wanted colours to represent this.

In one section, the corridor scene, the colours were a little disjointed. Luckily I managed to colour correct this, making the white stand out a little more, giving a limbo, lack of emotion feeling to it. I think it worked well for this particular scene.

Some of the house scenes needed colour correction too, as the lighting sometimes changed from shot to shot, this worked well too in allowing the piece to flow, and also showed us that we needed to change some shots and edit them in to make the piece work together better, because the shot couldn't be edited enough to look good within the piece, however the shot was important, but luckily we had other takes which we could use in its place.

Second Chance - Fine Cut


When the rough cut was approved, I started working on the Fine Cut. This meant trimming down shots to a precise frame, so the piece flowed together (our film worked in a sort of jerked timeline). This was because it was fragments of events that were brought together in the ending, which in my opinion was a good idea.

Our original idea was to have a doppleganger, one Chris in white and the original Chris in other colours. He was going to reflect on his life and stop the original Chris from jumping, like a limbo effect. However the shots of the doppleganger didn't work. It was filmed on a rooftop, and unfortunately there were shot problems, where the camera slightly moved, but the lighting was too different and it would have taken me to long to edit the shots in other program for them to usable. So we had to cut it and create another way to represent the two different versions of the character. Which was hard to do in my opinion, however we included the character in a very abstract way to make the audience wonder what was happening with him, hoping it would all come together in the end - which it almost does (unfortunately we ran into narrative problems).

The fine cutting went well, I worked on a number of things, including colour correction to create an atmosphere and mood - when these were completed, the fine cut was given to Alex to add the sound design.

Second Chance - Rough Cut


After sorting out the files, I went onto to create a rough cut. I would have created an assembly, however I didn't have as much time as I did on the previous project, as I needed a week to edit (and I only got 4 days), and then I needed to give the picture edit to our sound designer so he could sort out the sound on the project.

The rough cut consisted of putting in shots and soundbites I thought would work, as well as following the director's script. Unfortunately for this project, I didn't have access to a storyboard, so needed to improvise on some of the shots and choose which ones I thought worked best, which allowed me to be creative with the piece, but also made me concerned as I didn't really have any guidelines to work with other than written text.

The rough cut was developed quite well. I did request our producer Jessica for some advice because there were some difficulties and changes to footage at some stages, so she advised me on what to use and also looked through my edit with me to see if it worked well from another person's point of view.

Also, our tutor Annie looked at our rough cut, and gave us some good feedback on the footage and edit, and how we could make it work. She liked the corridor scene I'd conducted so far, but unfortunately I didn't have enough time to conduct a full edit to show her.

When all the footage and sound bites were in place and approved by both producer and director, I started on the fine cut.

Second Chance - Sorting Out Files


After the production team completed all the pre-production and production of the film, it was once again my turn to bring an edit together. First, I captured all the footage off the DSLR onto the mac computers. During our last production we had trouble with our export. We noticed the shots kept jumping and later learned that this was because the DSLR didn't film the footage in the correct FPS. So this time we made sure to fix this by using MPEGStreamclip, which converted the files to Apple Pro Res 442, which made the frame rate 25, so we could work with these converted files on our Final Cut Project without any problems. The conversion made the files bigger too, which also helped increase the quality slightly.

So after converting all the footage, it was all imported into a new Final Cut Pro project, set up with 25FPS DV PAL settings. At this time, I saved the project 'Untitled Drama' as we had no working title at the moment.

Then I went through each clip and sorted them into individual folders in regard to location and character. Which would made it easier then it came to starting the editing process.

Second Chance Drama - Final Script

This is the final script we decided to work with. With the time limits we had, I liked the idea and the creativeness behind it. There was a conflict, and an attempt to be creative with the idea of a limbo character.











Second Chance Drama - My Script

During the process of creating our second production. We had some struggles with the group in deciding on a solid story. I'd been told snippets that sometimes didn't seem to fit together, so I took the time to start another script of by myself to see what the others thought. We decided to go with the original Director's version, after the problems were fixed, however it gave me a chance to be creative and start a little experience with script writing.

THIS SCRIPT IS JUST AN OPENING SCENE.


‘Swift Love’

EXT. Rooftop NIGHT

A long shot opens onto the scene. Dim lighting (flickering). The city lights are all that can truly be seen (cutaways of lights?)

A Close up of some feet approach the camera (audience) and stop. We pan to reveal our protagonist Chris (stays in Close Up). We’re shown Chris’ face – tear stains down his cheeks and red eyes. He, however appears numb with shock, emotionless and almost determined.

Chris looks up from the floor slightly, shakily sighs and walks towards the camera (engulfing the camera to darkness)

We’re then juxtaposed as we see Chris approach the edge of the cliff from behind. We move to the front (and side shots) as Chris crouches near the edge of the roof. We stay on Chris’ face, looking emotionless and depressed.

CU of Chris’ eyes, hands, tears etc.

VOICEOVER (CHRIS)
What do you do when everything you have, (Pause) everything you
love, falls apart? You have no one to talk to, you have… (Pause)
nothing.

We come out to a mid-shot of Chris (still crouched), as Chris stands (camera stays at feet) the focus changes to the background to reveal another Chris (a subconscious version of himself) standing behind Chris.

SUB CHRIS
(Angrily) You’re just a massive waste of space! (more calmly, creepy) you know it’s the right thing for everyone.

Close up/Mid-Shot of Chris, no emotion change (see a swallow). Changes to Extreme Close Up of Chris’ Eyes.

SUB CHRIS
            (Anger Raises) Just do it Chris! Just Jump! Jump dammit, JUMP!

During, Chris’ eyes scrunch (close tightly) together (in the extreme close up)

INT. House Living Room – EVENING/NIGHT

LIZ (slightly shouting)
            Chris! It’s not that scary!

We’re still at the ECU of Chris’ eyes as he opens them. He’s sat on his sofa in his house next to his girlfriend Liz, who’s looking at him with a smile. A horror movie is on the television. Wine and popcorn are on the coffee table. Liz is cuddled up to Chris, and laughs as he opens his eyes.

M/S Chris has a happy expression on his face.

            LIZ (calmly, giggly)
            You’re just too soft!

Chris laughs. The couple cuddle together. The film ends, and the credits start rolling.

            LIZ (sleepily)
            I’m gonna go to bed now.

            CHRIS (Looks at Liz with a sleepy expression but happy)
            Yeah, I’m gonna come too.

The couple get up and Liz takes Chris’ hand walk out of the room.

A shot of the TV is shown, slowly panning closer, the title of the film appears on the screen and zaps out (like a TV turning off).



Drama TV - Breaking Bad


Breaking Bad is an American TV Drama which was created by Vince Gilligan. The series follows the story of Walter White, a struggling chemistry at the local high school who develops inoperable lung cancer at the beginning of the series. Knowing this, he turns to a life of crime, hoping that the money he earns by producing and selling drugs would help secure his family's future before his death.

I decided to research this, because I enjoy the show, and also the twist on conventional drama. This show sees the protagonist, Walter White, change completely, and become the antagonist.

Gilligan stated 'Television is historically good at keeping its characters in a self-imposed stasis so that shows can go on for years or even decades. When I realised this, the logical next step was to think, how can I do a show in which fundamental drive is toward change?' - and with his used the character Walter White to almost create a Mr. Chips from Scarface.

The character's personality at the beginning of the show, made us as an audience sympathetic. A struggling teacher develops cancer and just wants to do right for his family - just chooses the wrong path to do so, so the audience feel sympathetic and want him to change and make the right decision that this isn't the right way to fix things. However this doesn't occur, the character digs a deeper hole, creating more trouble for himself, even when his cancer goes into remission, he continues his  drug abuse (dealing and producing), which causes his family to leave him - but at this point, you don't necessarily feel bad for him as an audience member. You may feel he deserves it, he's hidden all the criminal activity from his family, of which he was supposed to protect but ended up pushing away with all his lies. You feel sorry for his family, more than him, as well as others he's worked with.

I love that the show has a twist, where the audience are taken away from the convention of the protagonist being the good person who becomes the antagonist. It's completely different and risky, but I think it works. You don't necessarily support the character, but the fact he's becoming the 'evil' one, the audience are enticed to see if he fixes it, becomes good again or just what happens next in the story. It's strong idea to think about when creating a creative narrative for our piece.

Monday, 7 January 2013

Foundations - Fine Cutting


After creating a rough cut that the group approved, I needed to complete the fine cut of the picture edit, so the sound editing process could begin. For this, I went through the footage, and ensured to trim frame by frame for what we need. Ensured the shots worked with continuity and also that any colour correction needed was complete. For example some of the shots in the house had some lighting problems, which I helped aid by using colour correction, which made the shots more flowing and more light-up for the audience, so they wouldn't notice the difference of lighting too much. In future, we would have re-shot this, however we didn't have enough time, therefore we had to problem solve, and I feel we successfully achieved this.

Foundations Drama - Telephone Sound Editing



Within the script, there is a section where Matt, our protagonist, gets home from his interview and sits to hear his voicemail messages - this is were he finds out he didn't get the job. During the process of cutting the footage, I decided to have a look on how I could edit the sound bites I'd received from Alex to create a 'telephone' effect.



To do this, I used the program SoundTrack Pro, and imported the sound bite. I haven't had much experience with this program over the module, so I decided to explore the program and find out how to make this work. To create the telephone effect,  I opened up a vocal project and imported the file, then I used the Graphic Equaliser option, and played with the sound levels to see what effect they had on the sound bite. The screenshot above, shows the successful edit of the sound bite. I feel that this was the most successful levels to use to create a telephone effect, as it sounded slightly muffled but still clear enough to understand what the sound bite dialogue was. Since this style of dialogue was used a few times within the particular scene with the voicemail, I thought it would save time in the future to save this effect as a default effect within my Soundtrack Pro Library, so this could be easily accessed by Alex or myself when it came to needing more sound editing.


Foundations Drama - Editing Speeds


At the beginning of the work, I noticed a continuity problem. The character Matt should on the stairs of the interview building, looked right then left and centre, took a deep breath and walked into the building. For this scene, we wanted to use a P.O.V when he looks up at the beginning, to create a personal effect as well as to link to the architecture theme behind the narrative. However when filming the P.O.V, the production team filmed the shots going the wrong way, looking in the opposite direction first, which when I put into shot, looked jarred and didn't fit, you could see it was the opposite way around and I wouldn't want to use it in the state it was in, it was also too slow to use within the time slot, it took about 10 seconds to look around, which in a 2 minute piece is a lot of time. So I decided to try work with this shot by editing the speed and the direction of the shot.

Firstly, I decided to sort out the fact that the shot was the wrong way round in regard to the way the character looked up at the building in the other shot. So to do this, I simply tried reversing the shot, which worked really well, but took some fine cutting still, to fit with the angle the character was looking at the building - but luckily this problem was solved quite easily. The using the change speed percentage, I worked with this to quicken the shot slightly, so the shot didn't linger on screen for too long. This worked really well and allowed me to solve the problem without too many issues.

Foundations Drama - Cutting


After receiving all the footage from the production team, it was my turn to bring the work together. I started by going through all the footage, labelling and sorting out the bins. The first time I was given the footage, there were several things wrong or missing with the footage. 

For example, I noticed a lot of continuity problems which would have been impossible for me to edit together, such as, for example, in the house, certain features would jump, the camera broke the 180 degree rule and jumped to the other side of the character, which if I noticed as the editor, the audience would notice.

Luckily we had enough time to reshoot the shots we were missing or needed re-doing. The second batch of raw footage was much better, especially the house scenes, as the lighting and actor looked much better. However I did run into a problem with the emotion between the different takes. In the first set of footage, the actor did some amazing work with emotion when hearing the bad news of being rejected from the job, however the shots were too dark and the character looked slightly rougher than we wanted initially. The second set was well lit, the actor looked much better, however the emotional performance wasn't as good as the first set. So, with the producer, we went through and decided which would be the better option to take. We decided on using the first batch and working with a little colour correction to brighten it up. This is because we saw that the emotion of the character was more important for the drama within the piece than the shot, however this shouldn't be a choice we had to make, and if we had have had more time, I'd have asked my team to re-shoot this again and hopefully get more emotion and a better composition. 

After all the footage was labelled and sorted into files, I started the rough assembly by following the script. There were some changes in regard to shots, where I followed some of the storyboard and script alternatively to make it work to the best of my ability. I created a rough cut with the sound recorded at the shoot, however Alex had spent time re-recording the audio and wanted to work on the sound design separately, so in regard to sound, I worked with a template to complete the picture edit in time to give to Alex. 

The rough cut was then reviewed by Annie, as well as the Director and I then started to work on the Fine Cut. This process required trimming the footage, precisely, ensuring everything synced together as well as colour correcting the shots to fit together and create the same emotion and feeling throughout. For example, when we Matt on his way home, we wanted the shots to be a warmer colour, which most of them were, but some needed a little colour added to them to fit with the rest. This was because we wanted to create a happy, excited up-beat emotion for the audience during these scenes, because we want them to feel hopeful for him, and therefore feel happy that he's happy about how the interview went. And then when it came to the house scenes, we wanted a more blue/white colour on, because we wanted the audience to feel shock almost, sad for him that he didn't get the job, empathise with him, and see his angry reaction in a sympathetic way, and by using colour correction to adapt the shots, I think this helped bring this across. 

After making sure the edit was good with the producer and director, I gave the new fine cut to Alex for sound design. When Alex had finished with his sound design, I made sure everything still worked together as an edit and did a finer cut, including some sound design myself before exporting for presentation.

Foundations - Sorting Out The Files

When all the shoots had been completed, it was my turn to bring the work together through editing. The first thing I did was capture the footage, and sort out the files into labels, bins and folders. I saved the project as 'Untitled Drama' as at this point in post-production, we didn't have a completed title. 


Before sorting through the visual footage, I decided to look through the sound bites first, because it would be the storyboard and dialogue on the script I would be following to bring the story together. So firstly, I sorted out the sound into separate files for each character, and then by different types of sound, for example Mono and Stereo recordings.


I then went through all the visual production, sorting it once again into corresponding folders. This was a helpful process because it allowed to easily find where every file was, so I didn't waste time looking through every file because I can't find the piece of footage I want to use for a particular section of the film. 

After completing the sorting process, I went on to start a rough assembly of shots and sound bites that I'd like to include in the piece. 


Foundations Drama - Things To Do List

When I re-read the list for the shoot, including the script and storyboards, I wrote down a list of 'things to do' - almost another list of things I was concerned about. Since I wasn't part of the production, I wanted to make sure everything was considered.

Below is my letter to the group:


Hello Drama Group!

Well done with all the footage/audio you have so far, some seems really well done and will work well (especially the emotional side). There are a few questions/problems, which I hope you’ll understand (and re-do if you get the chance…) it’s only to make it better I guess.

·      ‘Tramp’ Shots are almost all overexposed. If you get the chance, could you re-record this and try get some cutaways of both faces – the Tramp being extra grateful, with more emotion…? And a ECU or CU of Matt’s face after he’s given him money or/and as he does, just to show how he feels about giving this guy money.
·      More CU of Matt (like near the beginning when he’s walking around (because we’re just using a lot of long shots we aren’t really capturing all the emotion at first.
·      Obviously there are some sound recordings missing – the receptionist and the boss phone call – which I know you’ve been working on. Also the woman saying ‘No don’t worry…’  & ALL Mr. Martin’s Lines…
·      Just think about more cutaways too J
·      No tripod? Some shots are really shaky…
·      No shots of Matt sat at a bus stop (before he notices the tramp). Need more shots within that scene.
·      No Shots of matt with a sandwich???
·      Need sound effects recorded – voice mail voice? Tones? ‘Message 1’ etc. Maybe some cutaways of his phone??
·      Cutaways of buildings? (Being it about architecture?)

Foundations Drama - Edit Notes (Script)

When I received the final version of script, I went through to check it in regard to edit. I wanted to ensure that the production team covered everything that would be needed in the process to allow me to edit the piece the way we wanted. I expressed my concerns on this copy of the script and re-sent it to all the members of my group, so they could decide what to do with them/let me know how these problems would be faced:





Foundations Drama - Storyboard








Foundations Drama - Location Scouting & Pictures

For our 'Foundations' drama, we were told that we should concentrate on the idea of architecture a little more, since this is the job style our main character was going for. So, to do this, some of the crew went location scouting for picturesque places we could film, here are the pictures from the shoot, some locations were used in our final shoot too.

 

Foundations Drama - Revised Script 3 (Final)

This is the final revision of the script. As a group we feel this approach will work best:


EXT. Office Building. Day.
Matt walks out of the main entrance. He's wearing his best jacket, trousers and shoes. He looks nervous, keeps looking back up at building windows. As he gets further away he starts to smile and look more confident.

MATT (O.S)
Hi, I’ve uh… I’m here to uh see

RECEPTIONIST (O.S)
Mr Martin?

MATT (O.S)
No I’m uh Mr Donahan. No, no, yes. I’m here to see Mr Martin, I’m Mr Dona-

RECEPTIONIST (O.S)
Go right down the hall, then the door on your left.


EXT. Street. Day.
Walking down street. Bumps into woman, who is carrying lots of bags. Drops one.

MATT
Whoa, I'm sorry. Oh god, I’ll get that, I’m sorry/
Woman looks slightly shocked.

WOMAN (O.S)
No, I wouldn’t worry about it love, honestly.
MATT fumbles enthusiastically still

She awkwardly grabs her things and walks away. Matt carries on walking looking disheartened and nervous.

MR MARTIN (O.S)
Afternoon. Sit down, sit down. I’m Mr Martin.

MATT (O.S)
Hi, I’m Matt, uh Matthew.  It’s great to meet you. Really.

MR MARTIN (O.S)
So Matt. I know you know the position but I’m more interesting in your drive and personality. Why do you want this?

MATT (O.S)
Well, uh. Being an architect, it’s just something I've been wanting. Well, not just wanting, it’s just all ever seen myself doing, well it’s all I’ve ever wished I’d be able to do.

MR MARTIN (O.S)
Well that's good to hear. (sounding nonchalant)
Matt is feeling optimistic despite the interviewer’s obvious lack of interest.


EXT. Bus Stop. Day.
Matt walks up to the bus stop and sits down. He looks around and sees a tramp further down the street. He walks over and gives him the change in his pocket. About £3.50. He then continues walking as that was his bus money.
As if finally acknowledging Matt.

MR MARTIN (O.S)
Oh, you brought some sketches?

MATT (O.S)
Uh yeah, just a few designs. They’re not amazing, uh, but I really think, uh they show how uh creative I can be and uh-

MAN (O.S)
Yeah, yeah, I see. Ah, these are good, yeah.
Ext. Sandwich Shop. Afternoon.
Matt walks out with sandwich. Turns to look back inside.

MATT
Cheers
He walks down the street. Eating his sandwich looking very happy.

MAN (O.S)
So what kind of experience do you have?
Awkwardly and as if reading from an autocue

MATT (O.S)
Well I've studied for this at college and since then I've continued my studies independently, and I'm a quick learner. I'm confident I'll be able to work effectively here.

MAN (O.S)
Ah, great, great, great. (droning)Well I think that's all we need (staggered). We'll get back to you shortly Matt. Thank you for coming.

MATT (O.S)
Thanks so much for seeing me, I really appreciate it.


INT. House. Afternoon.
Matt enters his house. He puts everything down and rushes to his phone. There are two messages. He presses to hear them.

MATT’S BROTHER (O.S)
Ah, you’re not answering. How’d it go man? Just gimme a bell or summat and tell me how it went n that. Really hope it was alright mate, you deserve it. I’ll see you in a bit then I s’pose. Good luck

Matt has a broad, confident smile, nodding.

MATT
Cheers man

MATT'S BROTHER (O.S)
You back yet Mr bread winner? Gimme a ring and we’ll go out or summat, drink your first real wage away before you’ve got it? Plan? Surely.

MATT (quietly)
Sounds like a good plan.

He waits for the next message. Nervousness coming back onto his face. 

MAN (O.S)
Mr. Donahan, this is Sonet on behalf of MR MARTIN, just in regards to your interview with us this morning. We'd like to say that we were very impressed with your interview and your work. Unfortunately, you’re not what we’re looking for at this time. We wish you all the best in your future endeavours . Goodbye.

Matt just stares at the phone. His shock apparent on his face. He puts his hands on the table and leans on it. His head down. His fists clench. Then he falls back onto the sofa, looking defeated.

Foundations Drama - Revised Script 2


EXT. Office Building. Day.
Matt walks out of the main entrance. He's wearing his best jacket, trousers and shoes. He looks nervous, keeps looking back up at building windows. As he gets further away he starts to smile and look more confident.

RECEPTIONIST (O.S)
Mr Donahan?

MATT (O.S)
Yes, that's me.

RECEPTIONIST (O.S)
They're ready to see you now.


EXT. Street. Day.
Walking down street. Bumps into woman, who is carrying lots of bags. Drops one.

MATT
Oh, I'm really sorry. Please let me get that. Do you need any help?

Woman looks slightly shocked.

Woman
Um, thank you. No that's alright.

She walks away. Matt carries on walking looking pleased with himself.

MAN (O.S)
So, Matt is it?

MATT (O.S)
Yes

MAN (O.S)
So Matt. Why do you think you'd be a good asset for our company.

MATT (O.S)
Well, architecture is something I've always been passionate about. It's been my dream for a long time now and it's something I can see myself dedicated to doing for the rest of my life.

MAN (O.S)
Well that's good to hear. We always prefer employees who actually enjoy their work here. (Laughs)


EXT. Bus Stop. Day.
Matt walks up to the bus stop and sits down. He looks around and sees a tramp further down the street. He walks over and gives him the change in his pocket. About £3.50. He then continues walking as that was his bus money.

MAN (O.S)
Are those your sketches?

MATT (O.S)
Ah yes. These are ones I've been working on for the last 5 years.

MAN (O.S)
I see. These are very good.


Ext. Sandwich Shop. Afternoon.
Matt walks out with sandwich. Turns to look back inside.

MATT
Thanks!

He walks down the street. Eating his sandwich looking very happy.

MAN (O.S)
Do you have any experience?

MATT (O.S)
No, I don't. But I've studied for this at college and since then I've continued my studies independently, and I'm a quick learner. I'm confident I'll be able to work effectively here.

MAN (O.S)
Excellent. Well I think that's all we need. We'll get back to you shortly Matt. Thank you for coming.

MATT (O.S)
Thank you for seeing me. Goodbye.


INT. House. Afternoon.
Matt enters his house. He puts everything down and rushes to his phone. There are two messages. He presses to hear them.

MATT’S BROTHER (O.S)
Hey little bro. Heard you got that interview finally. Hope it all went well for ya.

Matt has a broad, confident smile.

MATT
Pretty sure it did.

MATT'S BROTHER (O.S)
Anyway give me a call when you found out and we'll grab a few to celebrate, or to drown your sorrows, whichever way it works out. Later.

MATT
Yea thanks.

He waits for the next message. Nervousness coming back onto his face. 

MAN (O.S)
Mr. Donahan, this is (Company Name) calling in regards to your interview with us this morning. We'd like to say that we were very impressed with your interview and your work. Unfortunately, we're looking for someone with more experience. We wish you well for the future. Goodbye.

Matt just stares at the phone. His shock apparent on his face. He puts his hands on the table and leans on it. His head down. His fists clench. Then he falls back onto the sofa, looking defeated. 

2-Minute Exercise - The Tutorial & Feedback

Throughout the Rough Cut, our tutor Annie came to see how we were doing with the project, as well as to show her what we'd done so far so she could offer us advice.

Unfortunately this meeting was between our two shoots, however we had some rough cuts to show her, which she enjoyed and liked the cinematography.

The advice we were given was to get some cutaways of architecture style buildings, to link with the idea of the style of interview the character was going for. She liked the edit so far, obviously there wasn't much sound design in regard to music, at this point, but she enjoyed the narrative (the interview sound bites) and the shots used to represent them.

Foundations Drama - Revised Script 1

After we all got a chance to look through the first script, we decided to make some changes, to ensure we could fit all the emotion in, all the scenes we need to bring the piece together. We made a few changes to a few scenes, to fit these purposes in much better: