Wednesday, 9 January 2013

Evaluation – Moving Image Production: Narrative DRAMA



For this module, we were asked to create two short films, one being a two-minute character observation and the other expanding on the emotions displayed within this work and creatively taking it further into a new longer narrative, which was the second part of the assessment – a 10-minute short film.  In this evaluation, I will reflect on the work given and completed within this module, how it was planned and how the work changed, the process of creating both works, what I’ve learnt and how my individual contribution was important to create the final films.

The two-minute drama was created on a man who goes for a job interview, filled with hope and happiness as he’s sure he’s got it, to drop instantly into rage and sadness when the agency rejects to take his application further. We wanted to create a theme for the interview, and decided that the character would be an architect; this is because of all the picturesque places we found on location scouting, we thought they would work nicely into the theme by using them as locations as well as cutaways. I do feel that we played this project safe, it was creative, but we could have done a lot more to make it unique and stand out – with lack of time management and problems with actors, this was a successful work. I feel we achieved what we aimed to do, but expanded on the idea by adding the architect theme and other links to bring the piece together, so I feel as a group, we progressed well with this project.

For this project, we held many group meetings to come up with the idea behind the film, talk about scripts, storyboards and shot lists. We also had an online group where we could talk at anytime about the project.  We first created a complete script, and when everyone, including our tutor, approved it, we decided to location scout. This is because we wanted to ensure we picked the best places possible for our piece to look good and also represent the ‘architecture’. After choosing locations we wanted to film, our producer and director contacted our actor and voice actors. This was troublesome at times as we had people drop out, however we managed to fix the problems we had in time for the post-production. Then came the shoot, we shot the footage over two days and had about 2 hours worth of footage, which was a good amount for me to work with in the edit. After production, the sound designer and I concentrated on bringing the piece together. An important lesson I learnt from this was time management. I feel that as a group, there were times when people couldn’t be ‘bothered’ to meet up or in other cases had other works they had to complete. I feel we worked together well in regard to meetings and organization (documentation needed for shoot), however we could have managed our time skills much better.

I do feel that this wasn’t one of my strongest modules. I feel that as a group we could have worked harder and more creatively, however with other works and members of the team being unavailable to times, it caused problems. I feel that the work were produced was successful, however could be greatly improved if we, as a group, had spent more time and worked together. I feel that the group, which shows in the final product, didn’t approach the module in a very creative way.

This project has taught me, however, a range of skills in both group work and my individual contribution. For this project, I chose the role of editor, so it was my responsibility after the production stage, to edit the footage into the final two-minute piece (with sound editing help from the sound designer Alex). I feel I took on this responsibility well. Unfortunately, I didn’t get a lot of time to edit the footage, due to the overrun of the production process, however I feel I worked through this successfully and managed to edit the footage in time, by working on it every day I could until deadline. I feel my contribution was quite important because I did spend a lot of time alone bringing the piece together. I managed to get reviews from the producer and director occasionally, but due to a busy timetable, I was left to creatively work with the footage on my own, which had it’s advantages and disadvantages – for example, I was able to look through the footage with fresh eyes and creative pick out a narrative route the project could take, but I also would have liked more input into the edit, as the film is technically the director’s vision. However, I feel I managed my role successfully and was able to manage any problems I came across.

This project taught me a number of things in regard to the edit. I was able to expand some skills on Soundtrack Pro, as I’d rarely used the program during my first year, and created a telephone sound effect, which is useful to know for other productions, as this effect is quite popular. I also learned about setting up a Final Cut Pro project when it comes to DSLR footage, as the frame rates are different. Also, with the help of my editing module, I was able to be more precise with my editing, using more advanced tools and effects to trim and colour correct.  Also, the project taught me a lot about working with others. Usually in projects I like to know and have control on each section, almost like the director role, however in this project I was only in control of the edit, which was a different experience, and allowed me to work off others’ ideas and production. It allowed me to work on motifs given to me by a director, rather than me setting them myself but also allowed me to be independent with my contribution.

Overall, this project was, in my opinion, successful. We worked well as a team and ensured all problems were solved and the final product reflects that.

The 10-minute project was to expand on the emotions of the first project. We decided to focus on the rage and upsetting emotions from the first piece, and created a drama about a boy who cheats on his girlfriend and tries to fight for her back.

The finished film isn’t what we intended. During the pre-production process, we had a script with many more connecting scenes and information, however the production team ran out of time/left scenes out as they thought we didn’t need them. However, this made the end product look slightly fragmented, which works in it’s own unique way, but wasn’t the purpose we were originally going for.  We intended to create a flowing story of a couple, which eventually showed why they were having trouble, how they argued and how they got back together. However it was rather jerky. We found out straightaway he’d cheated, an idea of a ‘limbo’ character was included but not to it’s full intent, so therefore looked out of place and there were lots of blackouts.  Unfortunately this wasn’t what we intended and we managed to problem solve, but we weren’t completely happy with the outcome.  I feel that if we’d worked together as a group, prepared and organized as well as we did with the previous project, we would have had a better outcome – however we didn’t manage our time and projects very well, and therefore didn’t achieve this, however this allowed us to learn how important organization and time management is when it comes to producing a film. Everything needs to have enough time – each process, as the sound designer and I only had 5 days to edit, when we were supposed to have a week each. This was due to actors dropping out last minute and losing locations. Of course, an advantage of this project was our problem solving. We worked together to ensure we had actors, locations and edits completed, so we did work well together, just didn’t manage the project very well as a group.

In regard to making the film, we started by creating a script, and going through it to create a final revised script. This gave us all a chance to look through and change anything we didn’t think would work, or change it to what we thought would work better. The script writing was very successful and the film looked like it was going to be creative and unique. We then went location scouting and looking for actors. Unfortunately we ran into problems here. In regard to actors, we found each one and planned the shoots accordingly. However two of the actors dropped out the night before the shoot was planned to run, and therefore we ran into time restraints, which caused stress on the group.  Luckily we managed to find some student actors to fill the part, however in future, we should ensure to contract people to the shoot and also have back up actors booked incase this situation occurred again. In regard to location, we used a house in our first shoot, however the residence of the house we’re still there and kept making noises throughout the shoot, making the entire scene almost unusable, therefore the producer had to once again location scout for another property we could use – so another idea in future would to have backup locations in case the first choice doesn’t work out.  Luckily we managed to problem some both of these issues and complete the shoot. After the shoots were completed we brought the footage to the edit, where Alex and myself worked together to bring the piece together, with the help of Jessica (the producer). There were problems we ran into during the edit. At this point I didn’t know scenes had been cut from the piece, and I only had script to work with, as the production team hadn’t completed a shot list or storyboard for me to use, which made it a lot harder however more interesting for me to tackle.  The edit itself does appear jarred due to the missing scenes however and I feel that better communications and document organization would have made this process run more smoothly, and also help me understand the story and the film the director had in mind.

My individual contribution to the work was once again the edit. I didn’t have much input into the production process, however helped out whenever I was required to, for example I created a new script to try fix some problems during pre-production, however the changes were made to the original script and worked better for the piece as a whole.  I feel for this project, we could have worked better and more efficiently as a team, however we managed to problem solve and work together in a way that brought the piece together – there wasn’t any arguments or problems between the group members.

This project allowed me to expand my skills on group work and technical skills on Final Cut Pro. Such as the colour correction, the trimming and also effects and transitions of sound to make the piece flow. I feel this module has broadened my knowledge on how to edit for drama, in regard to ‘emotion is the most important aspect’ as stated by Walter Murch and other editing techniques.

Overall, I feel our project went well and we all worked well as a group. In future, I would like to work more in depth with production however we were able to gain new skills socially (production-wise) and in editing (technical) therefore this has been a great experience, which will help me greatly with future projects. I also learnt the importance of time management and organization within this type of project, and know that this could have been improved throughout the duration of this module.

Word Count: 2000

Reference:
Murch, W., In The Blink Of An Eye, 2nd Edition (2001) 
Silman-James Press, U.S


Tuesday, 8 January 2013

Second Chance - Colour Correction


On the fine cut, there were quite a few colour changes throughout the piece. The emotions of the piece are quite dark and upsetting, so we wanted colours to represent this.

In one section, the corridor scene, the colours were a little disjointed. Luckily I managed to colour correct this, making the white stand out a little more, giving a limbo, lack of emotion feeling to it. I think it worked well for this particular scene.

Some of the house scenes needed colour correction too, as the lighting sometimes changed from shot to shot, this worked well too in allowing the piece to flow, and also showed us that we needed to change some shots and edit them in to make the piece work together better, because the shot couldn't be edited enough to look good within the piece, however the shot was important, but luckily we had other takes which we could use in its place.

Second Chance - Fine Cut


When the rough cut was approved, I started working on the Fine Cut. This meant trimming down shots to a precise frame, so the piece flowed together (our film worked in a sort of jerked timeline). This was because it was fragments of events that were brought together in the ending, which in my opinion was a good idea.

Our original idea was to have a doppleganger, one Chris in white and the original Chris in other colours. He was going to reflect on his life and stop the original Chris from jumping, like a limbo effect. However the shots of the doppleganger didn't work. It was filmed on a rooftop, and unfortunately there were shot problems, where the camera slightly moved, but the lighting was too different and it would have taken me to long to edit the shots in other program for them to usable. So we had to cut it and create another way to represent the two different versions of the character. Which was hard to do in my opinion, however we included the character in a very abstract way to make the audience wonder what was happening with him, hoping it would all come together in the end - which it almost does (unfortunately we ran into narrative problems).

The fine cutting went well, I worked on a number of things, including colour correction to create an atmosphere and mood - when these were completed, the fine cut was given to Alex to add the sound design.

Second Chance - Rough Cut


After sorting out the files, I went onto to create a rough cut. I would have created an assembly, however I didn't have as much time as I did on the previous project, as I needed a week to edit (and I only got 4 days), and then I needed to give the picture edit to our sound designer so he could sort out the sound on the project.

The rough cut consisted of putting in shots and soundbites I thought would work, as well as following the director's script. Unfortunately for this project, I didn't have access to a storyboard, so needed to improvise on some of the shots and choose which ones I thought worked best, which allowed me to be creative with the piece, but also made me concerned as I didn't really have any guidelines to work with other than written text.

The rough cut was developed quite well. I did request our producer Jessica for some advice because there were some difficulties and changes to footage at some stages, so she advised me on what to use and also looked through my edit with me to see if it worked well from another person's point of view.

Also, our tutor Annie looked at our rough cut, and gave us some good feedback on the footage and edit, and how we could make it work. She liked the corridor scene I'd conducted so far, but unfortunately I didn't have enough time to conduct a full edit to show her.

When all the footage and sound bites were in place and approved by both producer and director, I started on the fine cut.

Second Chance - Sorting Out Files


After the production team completed all the pre-production and production of the film, it was once again my turn to bring an edit together. First, I captured all the footage off the DSLR onto the mac computers. During our last production we had trouble with our export. We noticed the shots kept jumping and later learned that this was because the DSLR didn't film the footage in the correct FPS. So this time we made sure to fix this by using MPEGStreamclip, which converted the files to Apple Pro Res 442, which made the frame rate 25, so we could work with these converted files on our Final Cut Project without any problems. The conversion made the files bigger too, which also helped increase the quality slightly.

So after converting all the footage, it was all imported into a new Final Cut Pro project, set up with 25FPS DV PAL settings. At this time, I saved the project 'Untitled Drama' as we had no working title at the moment.

Then I went through each clip and sorted them into individual folders in regard to location and character. Which would made it easier then it came to starting the editing process.

Second Chance Drama - Final Script

This is the final script we decided to work with. With the time limits we had, I liked the idea and the creativeness behind it. There was a conflict, and an attempt to be creative with the idea of a limbo character.











Second Chance Drama - My Script

During the process of creating our second production. We had some struggles with the group in deciding on a solid story. I'd been told snippets that sometimes didn't seem to fit together, so I took the time to start another script of by myself to see what the others thought. We decided to go with the original Director's version, after the problems were fixed, however it gave me a chance to be creative and start a little experience with script writing.

THIS SCRIPT IS JUST AN OPENING SCENE.


‘Swift Love’

EXT. Rooftop NIGHT

A long shot opens onto the scene. Dim lighting (flickering). The city lights are all that can truly be seen (cutaways of lights?)

A Close up of some feet approach the camera (audience) and stop. We pan to reveal our protagonist Chris (stays in Close Up). We’re shown Chris’ face – tear stains down his cheeks and red eyes. He, however appears numb with shock, emotionless and almost determined.

Chris looks up from the floor slightly, shakily sighs and walks towards the camera (engulfing the camera to darkness)

We’re then juxtaposed as we see Chris approach the edge of the cliff from behind. We move to the front (and side shots) as Chris crouches near the edge of the roof. We stay on Chris’ face, looking emotionless and depressed.

CU of Chris’ eyes, hands, tears etc.

VOICEOVER (CHRIS)
What do you do when everything you have, (Pause) everything you
love, falls apart? You have no one to talk to, you have… (Pause)
nothing.

We come out to a mid-shot of Chris (still crouched), as Chris stands (camera stays at feet) the focus changes to the background to reveal another Chris (a subconscious version of himself) standing behind Chris.

SUB CHRIS
(Angrily) You’re just a massive waste of space! (more calmly, creepy) you know it’s the right thing for everyone.

Close up/Mid-Shot of Chris, no emotion change (see a swallow). Changes to Extreme Close Up of Chris’ Eyes.

SUB CHRIS
            (Anger Raises) Just do it Chris! Just Jump! Jump dammit, JUMP!

During, Chris’ eyes scrunch (close tightly) together (in the extreme close up)

INT. House Living Room – EVENING/NIGHT

LIZ (slightly shouting)
            Chris! It’s not that scary!

We’re still at the ECU of Chris’ eyes as he opens them. He’s sat on his sofa in his house next to his girlfriend Liz, who’s looking at him with a smile. A horror movie is on the television. Wine and popcorn are on the coffee table. Liz is cuddled up to Chris, and laughs as he opens his eyes.

M/S Chris has a happy expression on his face.

            LIZ (calmly, giggly)
            You’re just too soft!

Chris laughs. The couple cuddle together. The film ends, and the credits start rolling.

            LIZ (sleepily)
            I’m gonna go to bed now.

            CHRIS (Looks at Liz with a sleepy expression but happy)
            Yeah, I’m gonna come too.

The couple get up and Liz takes Chris’ hand walk out of the room.

A shot of the TV is shown, slowly panning closer, the title of the film appears on the screen and zaps out (like a TV turning off).